One month down, Obscurists, and for today’s review, I thought we’d revisit Michael McDowell and take a look at his debut novel, “
The Amulet,” a cross somewhere between occult horror and southern gothic, leaning more toward the occult.
***The Non-Spoiler part of this review***
What I love about this book: I love a good commercial horror story, which this is, and was all McDowell had said he aspired to be as a writer when he was alive. I’ve said this before, but I’m a big believer in fiction for fiction’s sake. And while I think the art side of writing is important too, it feels like sometimes we can get into spirals of who can out sophisticate each other. I’d feel remiss not to point out that sophisticate or sophisticated are words related to the word sophist, which when you boil it down basically means clever-sounding idiot. The more you know, as brought to you by this clever-sounding idiot.
In the first two-thirds of the book, the core story is tightly told about a cursed object that Sarah Howell is trying to retrieve to prevent it from causing any more death and destruction. I admire the simplicity, directness, and how easily understood the plot is from the beginning through the middle. The amulet is cursed. It drives anyone who wears it to murder, and then an untimely accident kills the bearer. Then after someone else inevitably picks it up, it moves on.
The scenes with Sarah’s husband—a victim of a horrible accident that has left him in a vegetative state—and his mother—possibly a witch—are some of my favorite scenes in this book. This isn’t so much a spoiler but the inciting action of the story because it’s Sarah’s mother-in-law who introduces the amulet in this narrative in the first place. So it was interesting for me when Sarah would confront her to see how much she knew about this cursed piece of jewelry.
What I don’t love about this book:
The plot is fast-paced, but toward the end, it felt like McDowell was just looking to write more and more outlandish death scenes with little contribution to the plot. I know I’m boring, but I like it when a story adheres to the rules and modes of action it establishes early on. If the plot in “The Amulet” is a car McDowell is driving, then towards the end, it feels like he turns to us in the audience to say, “rules are for losers,” only to then drive us off a cliff. So—I didn’t like the end, which is a bummer for me because endings are my favorite parts of stories.
Additionally, if you think the end will answer any questions or tie up some loose plot threads, I hate to break it to you, but no. This is fine if the story’s point is for you to question the reality constructed in the story, or there will be a sequel building off those loose ends, but again, no such luck here.
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***The Spoiler part of this review***
***Ye be warned to turn back now***
The quick and dirty synopsis:
In the prologue, we meet Dean Howell, recently drafted into the army to fight in Vietnam, but before he’s deployed, his job is to test rifles at Fort Rucca. It’s especially galling to him because he feels he was supposed to get a job at the factory that manufactures the rifles. After all, they come from his hometown of Pine Cone. A job at the factory would have exempted him from the draft. He never has to worry about getting shot in Vietnam because one of the rifles he was testing explodes in his face, horribly injuring him and leaving him in a vegetative state.
