Showing posts with label Horror. Show all posts
Showing posts with label Horror. Show all posts

Monday, August 7, 2023

Talking In Obscurity, "At the Mountains of Madness" by H.P. Lovecraft

 

Dark Adventure Radio Theatre






Distance makes the heart grow fonder, my dear Obscurists. I apologize for being on such a sparse and erratic upload schedule, but I have a good one for you today.

Speaking of distance, Steven and I are taking you to a faraway destination, "At The Mountains of Madness," by H.P. Lovecraft, not once but twice in this double feature review. Today we compare the novella version of this story, written by the man himself, and Dark Adventure Radio Theatre's adaptation of this story as a radio drama. Dark Adventure Radio Theatre is part of The H.P. Lovecraft Historical Society, so if you want to check them out, click the link below.



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Saturday, December 10, 2022

Talking In Obscurity, "Annihilation," by Jeff VanderMeer

 
Jeff VanderMeer






Today Obscurists Steven and I are talking about one of my favorites, "Annihilation" by Jeff VanderMeer. It's a weird cosmic horror that I've talked about before on this blog.



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Monday, October 31, 2022

Talking In Obscurity, "The Hellbound Heart," by Clive Barker

 
Clive Barker




This is a special episode of Talking In Obscurity. James Reinhardt, who has written reviews before on WIO, joins Steven and me in discussing Clive Barker's "The Hellbound Heart." This is the story that inspired the movie "Hellraiser."



This preview is an Amazon Affiliate link; 
as an Amazon Associate, I earn from qualifying purchases.

Author's Website: http://www.clivebarker.info/

Friday, September 30, 2022

"Moonshadow's Guardian" by Dianna Gunn--Fiction Review

Today Obscurists, we’re taking on a fantasy horror story, “Moonshadow’s Guardian” by Dianna Gunn.


Dianna Gunn


What I love about this book:

The first thing I love about this book is that Gunn’s main character Riana is a super long-lived character, and there are several other similarly long-lived characters in this story that I think Gunn depicts uncommonly well. I’ve said on this blog before that it’s tricky to depict a character who has lived for centuries or even millennia—and make them feel as though they’ve lived for thousands of years. Gunn, though, without bringing the narrative to an absolute standstill, makes it clear that Riana has lived multiple lives over the long years.

I rather enjoy the moral complexity in this story. None of the principal characters are pure good or evil—even the story’s chief antagonist. Mind you, straight-up evil shit does happen in this story, but the perceived correctness or wrongness of the character’s actions are subject to debate, and the morality of their choices, combined with their motives, is a matter of point of view. No one in this story holds a moral high ground above the other characters. 

The consequences in this story are sudden and harsh, which takes a bit of fearless writing to not just hurt one’s darlings but murder them, and I appreciated that quality in Gunn’s writing. Punches are definitely not pulled in this story.


What I don’t love about this book:

I often say that using a first-person perspective is a bold choice, and this novel is in first person. Other than a few key emotional moments that could be argued justified the creative choice—I didn’t feel it added much. To play devil’s advocate, though, the first-person perspective certainly facilitated people reminiscing about the past. Building off that point, if you’re not a fan of flashbacks, well, tough news, lots of flashbacks in this story.

I appreciate an excellent dark and brutal story as much as the next person. What I often find to be wearying are drawn-out torture scenes. There are a few of those in this story, too, especially when it comes to Riana’s memories of the demon realm or the compulsion. It’s not the violence that gets me. I’m just bored by anything that feels like a kid with a magnifying glass and an ant hill.




This preview is an Amazon Affiliate link; 
as an Amazon Associate, I earn from qualifying purchases

Author’s Website: http://authordiannagunn.com/



***The Spoiler part of this review***
***Ye be warned to turn back now***


The quick and dirty synopsis:

Our story begins with a little girl and her mother on a mysterious journey. It doesn’t go well after the mother tells her daughter that she is actually the daughter of a god and is, in fact, a demon. Soon she will transform into her true form. Despite her mother’s best magical efforts, her daughter breaks loose from the binding and kills her mother after transforming.

Tuesday, May 31, 2022

Talking In Obscurity, "Who Goes There?," by John W. Campbell

 

John W. Campbell





I had a lot of fun talking about this horror novella by John W. Campbell, "Who Goes There?" It's the arch shapeshifter story that inspired my absolute favorite horror movie, John Carpenter's "The Thing."

Speaking of true selves, my true self is revealed about ten minutes in when I suddenly forgot, "don't speak like you'd normally speak, Kevin. Keep the use of profanity down to PG-13." Sorry, it's a rated R sort of day. In my most natural state, I'm foul-mouthed.  

Saturday, May 21, 2022

"Neverwhere" by Neil Gaiman--Fiction Review

We’re going in for some fantasy and a little bit of horror with this one, Obscurists. Today’s review is on Neil Gaiman’s “Neverwhere.”


Neil Gaiman


***The Non-Spoiler part of this review***


What I love about this book:

The first thing that I love about this book is you never quite manage to get your bearings before it’s on to another weird and uncanny location. Like the protagonist, Richard Mayhew, as the audience follows him along throughout London below, we’re never sure what the next location will bring. 

Also, this book is way creepier than I thought it would be, which keeps happening to me with every Neil Gaiman book I read. I think it’s because of how whimsically he writes everything with a dash of dry humor that always suckers me. It’s hard to explain what Gaiman’s stories feel like, but the closest I can think of is someone in an Easter Bunny costume. Soft and fluffy, joyfully playful, until you finally realize there is no one in the bunny costume, just a sentient swarm of bees somehow controlling it.

So yeah, a bit like that.

I love the inherent weirdness of that feeling, and when he makes the shift into threatening with his menacing characters, you absolutely believe they’re capable of anything.


What I don’t love about this book:

I like all of the characters in this novel, even our everyman protagonist Richard Mayhew. I don’t get why Mayhew wants to get back to his boring life so bad, other than the fact that London below is a pretty dangerous place. His fiancé was pretty heartless, and his job seemed stressful and unrewarding.

The motivations for all of the characters were fleshed out, and you understood why they were doing what they were doing—except for the two evil henchmen characters. They were just sadists and creepy because they like being sadists and creepy, which is uninteresting to me. 

Without spoiling anything, the ending didn’t really happen where I thought, which seems to be another Gaiman thing that I could take or leave. In this, the end feels like it went on too long to get to its point.



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as an Amazon Associate, I earn from qualifying purchases


***The Spoiler part of this review***
***Ye be warned to turn back now***


The quick and dirty synopsis:

Richard Mayhew is living a perfectly ordinary life in London. He’s engaged to an ambitious, beautiful woman, and his job is firmly middle of the road. On their way to dinner—a very important dinner for Richard’s fiancé’s career—they encounter a badly injured young woman. Richard’s fiancé essentially just wants to leave her, but Richard, after hearing the young woman doesn’t want to go to a hospital for mysterious reasons, doesn’t hesitate. He scoops up the injured girl and takes her home to tend to her wounds, leaving his flabbergasted ex-fiancé on the sidewalk.

Saturday, April 30, 2022

Talking In Obscurity, "The Sandman," by Neil Gaiman And Dirk Maggs

 

Neil Gaiman Dirk Maggs






So during this episode, where Steven and I talk about Neil Gaiman and Dirk Maggs's excellent radio drama version of "The Sandman." I used the word "adjective," where I meant to say "adverb," and the shame will be carried on by my descendants. I have since fallen on my grammar sword, but it was pretty blunt, so it was just mildly inconvenient. 

Anyway, if you're interested in an audio experience about a DC comics character, "The Sandman" is awesome.

Author's Website: https://www.neilgaiman.com/
&
Author's Website: http://www.dirkmaggs.com/

Wednesday, April 27, 2022

Micro Mention "The Wine Dark Sea"

Rovert Aickman


“The Wine Dark Sea,” by Robert Aickman, is named as such as a reference to Homer. Knowing what Homer meant when he coined the term foreshadows what these stories are like in this collection—weird and stormy.

Aickman as a writer, has a style that is just as uncanny as the plots of his stories. While reading this collection of stories, I often felt as if I'd slipped into someone else's fever dream. For me, it's hard to elucidate much more than that.



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as an Amazon Associate, I earn from qualifying purchases.


Sunday, April 24, 2022

"The Exorcist" by William Peter Blatty--Fiction Review

Time for some more horror of the supernatural bent, my dear Obscurists. Make sure to read this review late at night and in a dark room because we’re talking about “The Exorcist” by William Peter Blatty.


William Peter Blatty


***The Non-Spoiler part of this review***


What I love about this book:

I’m a sucker for any horror story, and “The Exorcist” is one of those arch horror stories that stick in people’s minds. This novel has a threatening atmosphere that just keeps ratcheting higher and higher. The fact that this is all happening to an innocent little girl makes it all the scarier, especially when the body horror starts.

Despite being a book about religious terror and demon possession, it feels grounded in reality—mostly. The characters’ concerns and doubts are all authentic, which is nice. If everyone was too quick to jump to “must be demons in that little girl,” it would cheapen the story. 

The consequences are real and tragic in this story. Despite this being a story of faith vs. a demonic presence, Blatty never resorts to deus ex machina.


What I don’t love about this book:

It presents things like telekinesis and telepathy as being known and real phenomena. I get that it’s fiction, so why not? But the thing is, since the rest of the story tries to make itself feel grounded in reality, it goes out of its way actually, but when it comes to the more fantastical elements, its messaging is very “well, maybe?” But no, not maybe, people don’t move things with their minds. That’s a clever magic trick.

Shifting gears dramatically on this point, I’m also annoyed by Father Karras’s reticence about accepting that Regan is possessed by a demon. Blatty overcommits to this idea that Karras can be just as skeptical as any scientist, which, yeah, sure, I appreciated at first. But there comes the point when the evidence is so overwhelming that it becomes ridiculous to still be holding out on the idea that there has to be a rational explanation for what is happening. I don’t disbelieve in magic and whatnot in my day-to-day life because I want to; I’ve just never been convinced to the contrary with what I would consider verifiable, repeatable, testable evidence. It’s always someone telling me their anecdotal story, which the furthest I will accept with that is that person believes in what they’re saying. But if a girl’s head goes all the way around, then she does clearly other magical shit right in front of me, then yeah, I’d change my mind.



This preview is an Amazon Affiliate link; 
as an Amazon Associate, I earn from qualifying purchases


***The Spoiler part of this review***
***Ye be warned to turn back now***


The quick and dirty synopsis:

The novel opens with a short vignette of an old priest, Father Merrin, The Exorcist, returning to the United States from an archeological dig in Iraq. Before he concluded his business, he had discovered a small statue of a demon known as Pazuzu. 

Monday, April 18, 2022

Micro Mention "Joyland"

Stephen King


Sure, when Stephen King’s protagonist gets a summer job at a tourist destination in “Joyland,” they embark on solving a neat murder mystery involving ghosts. All I got when I did something similar was the knowledge that 2-day-old popcorn doesn’t taste right.

But upon reflection, given a choice between the two, I'd probably take the stale popcorn, at least it doesn't try to murder you. Much like an actual funhouse hall of mirrors, King throws some serious misdirection in this novel, more than once.



This preview is an Amazon Affiliate link; 
as an Amazon Associate, I earn from qualifying purchases.

Author's Website: https://stephenking.com/


Monday, March 21, 2022

Micro Mention "So Cold the River"

Michael Koryta


"So Cold the River," by Michael Koryta is a ghost story that is also a bit of a mystery, but the thing that impressed me the most about this novel was his descriptions of the West Baden hotel, which is a real place, and you should look it up.

If you go in for the audiobook version, I feel the little sound effect touches and musical flourishes are really well done. It's one of my favorite things about audiobooks and this one specifically.

There is a moment that snapped my suspension of disbelief, though, in this novel. A character is thrown from a moving vehicle, breaks her collar bone, and then like an hour later in the story, is performing CPR on someone. So, no, that's not a thing. Chest compressions are hard—like you've got to break someone's ribs to do it right—hard. If you've got a broken collar bone, I don't care how tough you are; you aren't pulling that off. 




This preview is an Amazon Affiliate link; 
as an Amazon Associate, I earn from qualifying purchases.

Author's Website: https://michaelkoryta.com/


Wednesday, March 2, 2022

Micro Mention "Nemesis Games"

James SA Corey


"Nemesis Games" by James S.A. Corey represents yet another seachange moment in The Expanse series, a series of stories known for those moments. It's a story about how a little bit of vainglorious stupidity mixed with a lot of anger can get a lot of people killed.

This is the story that, in my opinion, sets the tone and contributes the most to how the latter half of this excellent series would be shaped. The earlier novels are certainly related and flow from one to the next, but they still feel like self-enclosed containers. Each book has its own story that is distinct in time and place. Starting with "Nemesis Games," though, the macro, overall story, becomes the A plot, and that feeling of discreet, individual stories strung together fades away.




This preview is an Amazon Affiliate link; 
as an Amazon Associate, I earn from qualifying purchases.

Author’s Website: https://www.jamessacorey.com/


Friday, February 11, 2022

"The Colour Out of Space" by H.P. Lovecraft--Fiction Review

In this review, Obscurists, I am talking about H.P. Lovecraft’s “The Colour Out of Space.” Still, this one is a little different because I’m actually talking about three different versions of this story in one place. But I’m primarily talking about the original short story and the H.P. Lovecraft Historical Society’s Dark Adventure Radio Theatre version.


H.P. Lovecraft


***The Non-Spoiler part of this review***


What I love about this book:

I go back and forth on whether or not “The Colour Out of Space” is my second favorite H.P. Lovecraft story, or maybe it’s “The Dunwich Horror,” anyway, today, let’s say it’s the former. On a totally unplanned and spontaneously random self-promotional note, if you read my own novel “Jade Fall,” you’ll pick up on how this story and “The Shadow over Innsmouth” influenced me.

My biggest love for this story is how it derives its horror without actually invoking the supernatural, unlike many of Lovecraft’s earlier stories. It isn’t ruled out that the meteorite comes from a supernatural source, but it isn’t confirmed or even suggested either. What it is, is simply unknowable. It’s so different and so odd that it can’t be classified when studied. I love that atmosphere of merely saying it came from outside. He doesn’t even specify outside of what, the earth, the solar system, the galaxy, the universe!?

Specific to the Dark Adventure Radio Theatre version of this story, the H.P. Lovecraft Historical Society has created an updated—yet still feeling part of an older era—radio drama edition that is sublime. I’m not nearly old enough to be properly nostalgic for or even remember the golden age of the radio drama, but I love the format.


What I don’t love about this book:

Lovecraft pulls his old standby of: “It was just too horrible to describe.” And sure, there is something to be said about less is more and don’t show the monster, but he overuses that trick, and it happens in this story in more than one place. 

Every version of this story that I’ve experienced at least makes use of a framing story of a surveyor making his way into the hill country around Lovecraft’s fictional city of Arkham, working on the planning stage of a new reservoir. Anyway, like I said, it’s just a framing story, and it’s an excuse to tell this outsider, and by extension, us the audience, the weird and horrible goings-on at the Gardner farm. Usually, I don’t mind a framing story, “At the Mountains of Madness,” my favorite Lovecraft story sort of employs one. I’m not too keen on this one because “The Colour out of Space” is already a short story, so it feels like words are being wasted.

Also, present in this story, there is that Lovecraft element of a casual disdain for foreigners that I always find off-putting.


H.P. Lovecraft Historical Society

Author’s Website: https://www.hplhs.org/



***The Spoiler part of this review***
***Ye be warned to turn back now***


The quick and dirty synopsis:

Like I said above, the narrative begins with a surveyor telling the tragic story of the Gardner family as it was told to him by their neighbor, a man named Ammi. The story tells of how a meteorite crashed into one of the Gardners’ fields. At first, the family’s patriarch is pleased by all the attention his farm is getting from the local scientific community—and really just the community in general.

Monday, February 7, 2022

Micro Mention "Krampus"

Brom


"Krampus" by Brom is a little funny, a little scary, unexpectantly heartwarming at times, and a lot deeper than I assumed it would be when I picked it up. It's a thoughtful meditation on how history is really written by the winners. 

So modern-day Christmas takes many of its cues and traditions straight from an old pagan festival called Yule. You can still hear references to Yule in Christmas terminology and in certain Christmas carols. This all happened because as Christianity spread north from the middle east and converted the pagan peoples there, this combining of Christmas, a holiday about the birth of Christ, with the beloved native traditions of Yule, was a sort of compromise. 

In any case, it's hard to conceive of the violence of forced conversion, second hand and from dry history texts. Fiction, acting as a shortcut to understanding, though, is helpful in understanding something on an emotional level. "Krampus" does just that. It makes you feel what it's like to have one's culture erased and twisted, to have their very soul recast to service the dominating culture.



This preview is an Amazon Affiliate link; 
as an Amazon Associate, I earn from qualifying purchases.

Author’s Website: https://www.bromart.com/


Wednesday, February 2, 2022

Micro Mention "Cibola Burn"



If "Abaddon's Gate" told us why "The Expanse" series is called "The Expanse," then "Cibola Burn" by James S.A. Corey gives us a glimpse of what that means.

I think I'm a minority opinion on this one, but I liked that this story was a bit of a detour from the main action of the series. We get to explore an alien world with the Rocinante crew. And sure, there was still the geopolitical struggle going on between the belters and inners, in miniature. But what really took me in is the creepy setting of a colony on a world with a dead civilization. Ever since I played "Mass Effect," that shit has been my jam.



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as an Amazon Associate, I earn from qualifying purchases



Wednesday, January 12, 2022

Micro Mention "Abaddon's Gate"

James S.A. Corey


I'll admit that when I first read "Abaddon's Gate" by James S.A. Corey, I didn't know if I liked it quite as much as the first two books in The Expanse series, but with a bit of time and retrospective, it has really grown on me. 

It introduced one of my favorite Expanse side characters, Bull, who recently made it into season five of the show. Not trying to spoil the show too much here, but with how they used Bull in season five, I have no idea why he isn't in season six. 

They had a need that his character filled. He clicked right into the story, and then poof, he's gone after the last episode of season five. No explanations were given. The need his character filled is still there. They just decided, "eh, Holden can do it." No, Holden can't do it! Holden is the captain, and captains can't do everything on the ship, or else there would be no point in having a crew and being a captain!

Sorry, I get fired up about this injustice to my boy Bull.



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as an Amazon Associate, I earn from qualifying purchases



Monday, December 27, 2021

Micro Mention "Caliban's War"

James S.A. Corey


"Caliban's War," the second novel in The Expanse series by James S.A. Corey, is still firmly in what I mentally categorize as the sci-fi horror section of the series. The Protomolecule is still so new and creepy that it dominates the narrative—and I love it.

I actually just finished the whole novel series a few days back, and it's hard to capture how satisfying the entire series was to read. By the time I got to the later books in the series, it was startling to think about how much ground Corey covered in these books. 

True to its namesake, the book series's scope gets bigger and bigger as it goes on, and the events in "Caliban's War" are what set the story down the road it takes and where we end up is, well, unexpected.

I expect that I'll be working on a full review of "Leviathan Falls" the last book in this series, soon. So keep checking in for that.



This preview is an Amazon Affiliate link; 
as an Amazon Associate, I earn from qualifying purchases.

Author’s Website: https://www.jamessacorey.com/


Wednesday, December 8, 2021

Micro Mention "Leviathan Wakes"

James S.A. Corey


I picked up this novel because I wanted to get into the expanse show, and per my usual preference, I like to read the source material before watching the show. That said, "Leviathan Wakes," by James S.A. Corey, is one of my favorite sci-fi novels I've read in years.

This series is firmly space opera, and it's the kind of multifaceted political struggle that appeals to a lot of my sci-fi leanings, which I talk about more in my full review and again on my podcast. I really like this series.

But what I really want to bring up today is the audio experience. I know I bring up I'm a fan of audiobooks quite a lot on this blog, but the narrator for this book, Jefferson Mays, is amazing. There is just something about the tempo and quality of his voice that makes any sort of dry humor hilarious. 

It isn't inherently a funny book or series. It's a very life and death kind of serious story, but the number of times Corey got me to laugh in this and future books in this series—well, I lost count long ago. Mays, as narrator, enhances this quality with a sly sense of timing and oft deadpan tone. 



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as an Amazon Associate, I earn from qualifying purchases



Friday, November 26, 2021

"Terminus" by Peter Clines--Fiction Review

So Obscurists, this is a big day—yes, I know it’s black Friday—but no, not that. According to my almighty spreadsheet, today is the day I have posted 100 full reviews here on WIO. So that means you could scroll back through this blog, read all of them, get a pretty good gist of them, and then you could claim at, I don’t know, let’s say parties that you’ve read all those books—sorta. Do people still do parties? I’ve not gone outside for a very long time. 

It also means that if you took the time to print out all 100 reviews, spread them out on your floor, and rolled around on them naked—you’re undoubtedly a serial killer. Please stop doing that.

In any case, so what are we going to talk about today? Oh! I know—how about a book? I started this book blog reviewing “14” by Peter Clines, one of my favorite authors, so it only feels right that my 100th review should be one of his books. So today, we’re talking about “Terminus.”




***The Non-Spoiler part of this review***


What I love about this book:

So, “Terminus” is actually book four of Clines’s “Threshold Universe” series, but the nature of this series is such that I don’t feel it’s a big deal to jump ahead to wherever. Normally such a statement from me would be sacrilegious—so you might ask yourself—did I do that? Jump from book two to book four? No, of course not. I’m not a book heretic. So explanation time, Clines writes each of these books as standalone stories, typically with whole new casts of characters, with maybe some cameos from other stories sprinkled in. They all share the same universe, but they’re not really unified narratives like you’d expect with most book series.

What is the actual throughline through these books—and clearly, I find this very clever—are the stories’ antagonists instead of the protagonists. Each book still works in the traditional model of meeting, following, and rooting for the protagonists of each individual book, but they get swapped out each story. Whereas the more monstrous characters are omnipresent in each story. They’re slower to take the stage in the narrative in the first two books but ramp up with each novel, and by the time we get to “Terminus,” shit hits the fan nearly immediately.

There are my usual loves about Clines’s writing present in this book. I love listening to his characters talk and who they are, and of course, I read the audiobook version, which is read by my favorite narrator Ray Porter—and I’m gushing.

Also, there are more direct ties in this book to “14” than any other in the series, and “14” is still my favorite book I’ve read as an adult—maybe ever—it’s hard to say.


What I don’t love about this book:

This book gets very far away from having a central protagonist—or main character, if you will. Typically, that isn’t something that I’d even bring up and doesn’t bother me when other novels do it, but by the end of “14,” I knew its characters very well. I liked them, and I enjoyed listening to them go about their exploration of their building together, and how they deepened their friendships was nice. It made it all the more wrenching when they started dying and getting hurt. A lot of that sense of community and that community suddenly being threatened isn’t present in this book.

The characters are good, don’t get me wrong, it’s just we’re meeting them all for the first time—we don’t spend lots of time with them temporally from their perspective—this story is largely about one really bad day—and they never seem to like each other all that much. So when people start dying, it’s not as impactful. As much as I liked that sailor dude, his shocking death hits like, “oh, well, that sucks.” But not with soul-crushing sadness. Also, calm down. That isn’t a spoiler, there are tons of sailor dudes in this book, and many die. It’s more of a generalized statement about this novel rather than a specific plot point.



This preview is an Amazon Affiliate link; 
as an Amazon Associate, I earn from qualifying purchases

Author’s Website: http://thoth-amon.blogspot.com/


***The Spoiler part of this review***
***Ye be warned to turn back now***


The quick and dirty synopsis:

“Terminus” begins with Murdoch listening to a minister talking to her new congregation—the Family—on a beach. He’d apparently been involved with minister Anne when they were younger. She had recently returned to the faith, having had her faith in the Great Ones confirmed during the events of “The Fold,” the second book in this series. It turns out that the antagonist of “14” was her brother. He had failed to destroy the machine, really the whole building the characters in “14” live in—but Anne has a new plan. One she is sure will destroy the machine keeping the Great Ones from coming through to Earth.

Monday, November 8, 2021

Micro Mention "Carmilla"

Sheridan Le Fanu


"Carmilla" by Sheridan Le Fanu is a short vampire story that predates even Bram Stoker's "Dracula," and in many ways, I thought it the scarier of the two. The Count was unsettling from the moment you met him, but Carmilla has what you discover is an insidiously disarming charm.

As a vampire, Carmilla is just as seductive and alluring as Dracula, but unlike him, she doesn't seem to be trying to attract the opposite sex but other women. In today's day and age, so what? But Sheridan Le Fanu lived in the 1800s, so I bet even implied lesbianism got some of his audience's knickers in a twist.

I also appreciated how much more focused "Carmilla" is, as a story, when compared to "Dracula." Full disclosure, though, this might just be a product of its brevity.



This preview is an Amazon Affiliate link; 
as an Amazon Associate, I earn from qualifying purchases