Showing posts with label Nautical Adventure. Show all posts
Showing posts with label Nautical Adventure. Show all posts

Wednesday, April 13, 2022

Micro Mention "The Finest Hours"

Michael J. Tougias & Casey Sherman


I always love a good nautical adventure—be it fiction or nonfiction—but this story by Michael J. Tougias and Casey Sherman, "The Finest Hours," is more a nautical horror story—a nightmare that really happened. Never underestimate the power of the sea.

I've talked about this before on this blog, but I have experience working on the water. Certainly nothing like this; I worked on riverboats that did day cruises, but anyone who has worked around any body of water knows that when the weather changes, the water changes, and it can easily be dramatic. Water on the move, in a storm, can feel like a vindictive and malevolent force. That's why this book reads like a horror story to me.



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Monday, November 29, 2021

Micro Mention "The Keeper of the East Bluff Light"

Kevin Parham


Kevin Parham’s “The Keeper of the East Bluff Light” is a neat mystery with some sci-fi elements mixed in there. People are dying on Emerald Island, and somehow the East Bluff Lighthouse is involved—but how?

Like I said in my full review, Parham’s story often feels like several related stories strung together, but his attention to detail in each section of the novel is admirable. There are a lot of uncommon touches that he weaves into the narrative of this mystery that makes it feel genuine. Minus the more science fiction elements, of course, but I love sci-fi, so I’d never harp on that.



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Friday, March 12, 2021

"Keeper of the East Bluff Light," by Kevin Parham--Fiction Review

For today’s review, we’re heading to Emerald Island for a murder mystery involving a lighthouse by Kevin Parham called “Keeper of the East Bluff Light.” 


Kevin Parham


***The Non-Spoiler part of this review***


What I love about this book:

I like the setting of this story since I’m a fan of nautical and seaside stories. Having worked on riverboats myself, while I never worked on ocean-faring vessels, I enjoy stories about sailors. The lighthouse was interesting as well, and I enjoyed the bits about what being a lighthouse keeper entails, especially over generations of time. 

At the end of the narrative, in this story’s legal portion—while not an exhaustively precise take on a criminal court case—it’s still next level sublime. Little touches like knowing about the hearsay rule exceptions show an uncommon level of knowledge and care for authenticity.

In fact, one of Parham’s greatest skills as an author for me is his attention to little details, be they historical, situational, or occupational in nature. At the beginning of the story, he captures that gut-wrenching feeling anyone who has worked on the water knows. It’s when the weather unexpectantly changes, and the whole character of the water transforms in moments. 

Parham has the steeled nerves to tell a story that doesn’t pull punches on characters even though they might be likable. This can be hard to remain objective on—most people aren’t too keen on making their heroes suffer. I do, however, feel that this good storytelling impulse did lead him to make at least one overcorrection, which didn’t make sense to me though. 


What I don’t love about this book:

This story’s focus lacks a center, other than the lighthouse itself, which causes it to feel like a series of short stories tenuously related. Writing a story without a single protagonist is a valid artistic choice, but it means that the non-character elements need to go above and beyond, and I didn’t feel that they did.

Each third of the novel reads like a completely different novel from another genre. That alone would be an ambitious feat to pull off, but it’s hampered here because the cast of characters tends to change with each phase. The characters retained between phases rise and fall in relevance to the story being told at the moment.

There are at least three occasions within this story where my suspension of disbelief snapped, and I didn’t feel that the story logically flowed. To be fair, though, at least one of these was partly due to a miss-read on my part, which I’ll explain further down in the spoiler section.     



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***The Spoiler part of this review***
***Ye be warned to turn back now***


The quick and dirty synopsis:

First, we’re introduced to the erstwhile captain Samuel Biggs who serves as the protagonist for the first third of the story. He’s being informed by the Coast Guard inspector Jones that they are looking into what, if any, involvement the lighthouse Sam keeps had in a recent naval accident. 

Friday, August 28, 2020

"The Pirate Hunter," by Richard Zacks--Nonfiction Review

Avast ye mateys of the obscure waters, we be talking about pirates this week, savvy? And we be doing it in the most stereotypical way imaginable, and not even on talk like a pirate day—further demonstrating my supremely poor sense of timing. This is just like that time I proposed marriage to me bonny lass, Cynthia, in a cemetery, at her uncle’s funeral… Anyway, today’s book is “The Pirate Hunter: The True Story of Captain Kidd” by Richard Zacks.     

Richard Zacks


What I love about this book:

The introduction spells out what this book is about, and the author’s viewpoints, and introduces the thesis that Captain Kidd wasn’t precisely a pirate, but was maligned—to his death. From there, the rest of the book is building that case about the man.

I love a good nautical adventure, be it fiction or non-fiction, and this book doesn’t disappoint. Despite being non-fiction, this book has a Jules Verne, “Twenty Thousand Leagues Under the Sea,” feel about it. What I mean by that is there is excellent attention to details of how the ship operates and how the crew lives and works. This book, though, could be more accurately described as an inverse to Verne’s work, which was forward-looking for his day of what technology will one day look like on a ship because “Twenty Thousand Leagues Under the Sea” is science fiction. “The Pirate Hunter: The True Story of Captain Kidd” is a historical look at pirates and ships of the past. 

The whole legend of pirates burying their treasure was a thing no pirate really did—they tended to spend their booty. The legend of pirates burying their treasure started because it was something Captain Kidd did with his valuables while trying to clear his name of the charge of piracy, which is a neat detail this book brings up. 

I found all of the research Zacks did regarding Captain Kidd’s rival, Robert Culliford, to be illuminating. He isn’t a figure you hear about as much as Kidd, and that guy was absolutely a stone-cold pirate. Captain Kidd, despite his failings, seemed to me to be a man who set out to do right by his crew and country, but external events conspired against him, mixed with his own vanities and occasional temper. 

This is a double-edged sword here, but Zacks spares no detail about the life of Captain Kidd and the world he inhabited, he goes into minutia that is genuinely impressive that he manages to summon up. At times, this biography feels more like a novel because of that level of detail. 


What I don’t love about this book:

It goes on for a very, very long time. You know how I said all the detail was a double-edged sword? Zacks goes into such exquisite detail that if you can pay attention, you can virtually see the world in which Captain Kidd lived, in your mind’s eye. But the operative word is—if—because with the sheer tower of detail into which Zacks infuses this book means that if your focus wavers, it topples over and becomes dense.

Furthermore, the flow of this book tends to meander off into points and with people that are only tangentially important to the overall message. Sure, on the one hand, you could argue this is the author giving historical color to his thesis, but I think it’s equally valid to say that Zacks is so enamored with his subject he allows it to carry him away. 

Also, while I like the introduction—it concisely explains what the rest of the book is about—Zacks’ opinion that Captain Kidd was sold down the river, and was largely innocent of all charges of piracy, can feel a tad hero worship-like. Ultimately, he convinces me that Kidd didn’t get a fair shake at defending himself, and didn’t deserve his fate. Still, Zacks’ narrative about the man’s life can feel at times a little over-eager to prove that point.


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as an Amazon Associate, I earn from qualifying purchases.


Parting thoughts:

The justice system of Kidd’s day wasn’t up to our standards of today, and this book works as a chilling reminder of why fair and impartial due process is so important. The kangaroo style court proceedings at the end of the book are downright appalling.

In today’s world, it worries me when I hear people express attitudes that can only be described as quick to judge and prescribe swift punishment. 

Our ideals of justice are supposedly founded on the notion it is better that nine guilty persons should go free rather than one innocent should suffer, sure it’s a cliché, but all clichés start as memorable ideas. It’s why I’m so uncomfortable about the notion of the death penalty, that the state has the right, nay the mandate, to murder one of its citizens.

I get the visceral reasons why people desire the death penalty for violent, murderous criminals—it’s as old as it is biblical, an eye for an eye. But it is a policy born from rage, which that alone, to me, should raise the question does that make it wise?

The other reasons for the death penalty—other than biblical justice described above—are deterrence, protecting law-abiding citizens, and not spending money from the state’s coffers to feed and house a violent murderer for the rest of his natural-born life.

Let’s take them one by one. There is no evidence to support the idea that the death penalty has any impact on the rate of homicide, and this isn’t a particularly controversial idea either and has been studied by such bodies as Northwestern University, School of Law. The idea that it protects law-abiding citizens is accurate in the sense that particular murderer won’t be harming anyone else unless you believe in ghosts—but you know what else does that? Someone being sentenced to life in prison without the possibility of parole. This brings us to the final argument I hear the most often on this topic, money. So when a person is sentenced to death, a lot of things happen, primarily there are a lot of automatic appeals that have to be dealt with by the legal system, which means legal fees, and a lot of hours worked, by a lot of people, and it’s all costly. So costly, in fact, that it tends to be cheaper just to warehouse these people for the rest of their life.

My final argument here is, so far as we know—excluding various religious theories—this is it, this is all the time we get, and that includes murderers too. So what sounds more punishing? To be strapped to a gurney and be put to sleep, like we do with desperately ill pets? Or spending years, upon years, in a cell, never leaving, never interacting with the outside world in a meaningful way, feeling your body become frailer and more wasted with each day to only one day be consigned to oblivion—unwept and unmourned.

I want to think that if faced with the unimaginable, and someone I loved was taken by such a criminal, that I would have the fortitude to stick to my ideals. But I don’t know if that’s true, can’t know if it’s true, and hope I never have to face that ultimate worst moment. That is, however, my point, people who are in this emotional hurricane should not be the ones influencing the hand of justice because rage and hate are like an uncontrolled inferno—blind to what they burn. The truly insidious thing about those two human impulses is that they feel like wisdom in the moment but rarely result in positive outcomes. Don’t believe me? Please take a look at the world we live in right now. Do you think our problems stem from our overabundance of love and compassion for each other?